topino | (no subject)

The fanciest Nicky dresses, the more Joe will compliment him, so it will work out for both of them.

"A friend," Joe corrects, smiling. He can tell Nicky is a little tentative with the subject, and it makes him hum. He doesn't mind bluntness, when it comes to this particular matter. He'll answer Nicky's questions earnestly, both the one he's asking and the one he's not asking. "I don't have a preference for models, no. As long as they are interesting, I'm happy to sketch just about anyone." He grins. "If you're asking about my sexual orientation however, it's just men."

He's a little upset at just how relieved he is that Joe qualifies that he'd drawn a friend, who is a woman. Having him continue to say that he's into men is an unexpected little piece of trivia. "They don't publish that in your biography, I had wondered," Nicky admits.

He's not racing to make his own statement, not because he doesn't want to be open, but because he's accepted a date with Joe, he thinks it should be fairly obvious.

"I'm beginning to understand some of your work," he admits. "An idealized sense of self?" He's back to prodding and teasing, a jest that Joe can't possibly be as handsome and beautiful as those works of art.

"It's not relevant to my work," Joe says, shrugging though Nicky can't see him. He doesn't make a secret of it, but unless he's working specifically on LGBT themes, he doesn't advertise it either.

Joe doesn't need Nicky to reveal his own sexual orientation in return, really. As long as he's interested in Joe himself, that works for him.

He snorts, finishing his meal and leaning back in his chair, amused. "A nuanced representation of humanity," he counters, just as teasing. "With its beauty and its flaws." He grins. "Don't worry. I'll nuance your portrait as well."

"And seeing as I never saw your dating profile on any website, I suppose it wasn't relevant before we met by you replying to my review with such kind thoughts," he quips, feeling his heart beating faster as he thinks about Joe, who sleeps with men.

Calmati, Nicolo. Just because it's been almost a year since he's had a one-night stand with anyone doesn't mean he should be throwing himself at an artist who may only get off on the bickering. Who knows if there'll still be a spark if they get along?

He snorts at the idea of something nuanced about him. "If you erase my nose in your nuance, I don't know what I'll think," he warns.

"I don't really use dating apps and sites," Joe answers, easily. He's had his fair share of one-night stands himself, but not many recently. As he's getting older, he's less interested in finding someone just for the night, and more into making true emotional connections with people.

He grins at Nicky's playful words. "Well, your initial review was so considerate and generous, I just had to respond in kind," he taunts in return. He doesn't resent Nicolo for the review though, not anymore. If anything, it was what brought them to meet, and Joe is grateful for that.

"Again with the nose, Nicky," Joe complains, amused. "I'm not erasing your nose. I told you, it's lovely. We're keeping it. I might give you two, actually. Front view and profile, make it a Picasso."

"No, I suspect if you did use those sites, you would be mauled," he mumbles, and only after he does, he realizes that he said that part out loud. He's chagrined, a little, even if he ruefully laughs and ducks his head down, not entirely minding the fact that he confessed it.

Well, it's there now, what he thinks of him at least from a physical point of view.

"My initial review was cutting and blunt, even if it was honest," he admits, because he still knows that he stands by his opinion. He might reshift, rethink, and change slightly, but he would never double back completely like a weak-spined coward.

He snorts at the idea of a Picasso-esque portrait of his nose. "Why would you make anyone suffer with such a thing?"

"Why, Nicky," Joe answers, sounding pleased. "I thought you believed I was flattering myself, on all those paintings." He keeps his tone light and playful, though he is genuinely pleased by the compliment. He finds Nicky so attractive, it's good to know it goes both ways. "Do you use them? Handsome chap like you, I'm sure you'd get lots of messages," he adds, grinning.

"Your initial review made you seem like a conceited asshole," Joe tells him, blunt too because Nicky is inviting it. "That turned out to be only partly true," he adds, obviously not meaning it.

"It's good practice," he tells Nicky, sounding serious though he has no intention of sketching Nicky Picasso-style. He'd rather make it realistic, really.

It's a good thing this isn't a video call, because the way Nicky blushes is not meant for anyone else's eyes, furious and terrible as it is, and just how much it makes him seem utterly at Joe's mercy. He is, though. "I said you were flattering your body, which I have not seen," he clarifies.

"I said nothing about you exaggerating the face,' is a pointed and calm comment, sly in its own way.

Nicky snorts a little. "I was going to say. I am a little bit a conceited asshole, but most artists only thrash against the words and ignore the advice. You did not do that." It's why he'd been so intrigued and interested. "I think you can be great, Joe, really great. I just want to help guide that."

"Well, play your cards right and you might see it," Joe teases, openly flirtatious now because it seems Nicky is comfortable going there. "For artistic purposes, of course." He doesn't flatter himself in his paintings, but it's oddly sweet that Nicky thinks he might, in a strange backhanded way.

"Thank you, I think," he returns, when Nicky indirectly compliments his face. He arches an eyebrow as Nicky goes on about the kind of critic he is, and thinking Joe could truly be great.

"I thrashed against the words and took your advice, didn't I?" he muses, thoughtfully. "Have you considered wording your advice differently then, if you so want people to take it?" he inquires, his tone still light though they are going back to their old argument.

He grins, shaking his head. "Though I'm glad the famous art critic Nicolo Di Genova thinks I have potential," he adds, wryly. He's flattered, even if he probably shouldn't be.

How is he meant to play his cards right when it feels like he fucks up most of the time, especially in his romantic escapades. "Of course, artistic purposes only," he echoes, glad that Joe gave him that out so he didn't have to think about it.

Mainly, that he might have fucked up his chance before it even happened.

"You were willing to at least listen to my advice and invite me to sit for you. Whether that applies to the long term..." He shrugs, even if Joe can't see it, his eyes sparkling with delight as he thinks of what he might do if he were to become a famous artist thanks to his words. "I don't think I'm famous," he huffs. "If I were, I feel as if I would be paid better. I definitely wouldn't need a second job, if I were famous."

Well, Nicky hasn't fucked this up so far, Joe is still looking forward to their date despite their intense bickering. Because of it, even. He hums in agreement, easily letting Nicky elude his innuendo. He doesn't mind; it feels like a tease, not a rejection.

"I'll make sure to credit you when I become wildly successful," he taunts in return, amused by the idea. He would, for the record, but he's not that convinced Nicky's advice will help so far. He takes his plate to the sink, his eyebrows arching as Nicky mentions having a second job.

"I didn't know you had another job," he says, casually. "Will you tell me what it is?" He grins. "Please say stripping so I can die happy picturing it."

That gets a true laugh from Nicky, loud and appreciative, even as he says, "No, Joe, there is no one on this planet who would pay for me to strip for them." That's a strangely terrifying image, he admits, and one he doesn't think he wants to even consider.

He sips his coffee, staring out his window, knowing that Joe isn't about to get that secret so easily. "My second job is nothing you need to worry about, when we're sitting here talking about our first ones." He thinks that's a smooth enough transition. "And how you will be a famous artist soon, whose work will catapult you into the spotlight. Once you take my advice," is added with a hint of a smug smirk.

It's so nice to hear Nicky laugh, rich and full-bellied like this. Joe can't help but grin widely in return, delighted. He makes a small, considering noise, like he might be disagreeing. He would pay good money to watch Nicky strip, he thinks. But he won't actually say it.

"Mysterious," he comments, but doesn't push for more information. If Nicky doesn't want to reveal this much, Joe won't force him, not when their friendship is so new and tentative.

"Once I take your advice, yes," he agrees, amused. "That'll be soon. Saturday, actually. Fame is coming my way fast."

Yes, very mysterious. Nicky's eyes are cast back to the manuscript waiting for him to return to, thinking of how he'd tweaked his main character to be more like Joe. He knows that he's going to use the photos as reference, and that this new character will end up being one of the most effusive and complimented characters that he's ever written.

"Saturday, yes," Nicky agrees. "I still don't know if portraits of me will be the thing to crack your way into fame, but I think it will begin to expand your catalogue, give you a chance to truly show off your talent. I know I'll be very flattered to have something done of me."

Joe would be so flattered to be a character in a novel, Nicky will have to tell him at some point.

"It's worth a try," Joe teases, grinning. "It's good practice, even if it's not my shot at stardom. It's always nice to have new people to draw, to see if I can really capture what makes them unique." Nicky has proven to be unlike anyone else Joe knows already, and he's eager to see if he can paint his striking features accurately.

He hums, sounding fond. "You can keep some of the sketches, if you like any of them. I'll make sure they're flattering indeed," he adds, playfully.

"Stardom is all about luck and who you know," is Nicky's opinion on the matter, seeing as he's not sure that anyone who's broken out and become famous (and rich) did it without knowing someone or being in the right place at the right time.

And it's not like Nicky is someone, but he's a step in the right direction. "Maybe once you branch out, at your next show, I can invite more collectors, more reviewers," he allows. "And if I get to keep some of the sketches, maybe I can even use them to encourage others to come and see you. A taste," he suggests, "before the meal."

"I don't know anyone," Joe tells Nicky, bluntly. Actually he knows a lot of people, but not anyone that could help his career. "I've been lucky before, let's hope it continues," he mitigates, smiling. For example this, in Joe's opinion, was a very lucky meeting.

It's a generous offer, and it takes Joe by surprise, somehow. Not that Nicky has been unkind with him so far -just harsh- but it is still a lot of give to someone you just met. "That would be very kind of you," he says, earnestly. "I'd appreciate it."

He grins, because he's not sure the sketches will be appropriate enough to show to strangers, but he'll let Nicky offer all the same. "I'll make sure you enjoy your taste, then. And your meal." Is this an innuendo too? Absolutely.

"That's not true." Nicky finishes his coffee, his gaze serious even if Joe isn't even in the same room as him. "You know me." That's what matters and it's true. He's got all sorts of connections through his work, because he might piss off a lot of artists, but he's also managed to become a source of information for curious investors who want to know about the best.

Nicky, with his sharp and appraising eye, usually has a finger on the pulse of what's going to be worth something.

Joe's words bring another flush to his cheeks, making him shake his head. "Did you flirt this much in your email and I missed it? Or is it a new onslaught?"

"I've only just met you, Nicolo," Joe corrects but he sounds fond, and pleased by the offer. "But thank you. I'm sure people value your opinion and I'll be grateful for any kind review you will give me," he's teasing, a little, but he also means it.

"Flirting?" Joe demurs, although he's clearly grinning. "I was talking about our dinner!"

The answer is no, he didn't flirt that much in their emails. But back then, he didn't know what Nicky looked like. Now he does.

"I can tone it down, if it bothers you," he adds after a second, still smiling but sounding more serious. Nicky has been taking it pretty well so far, but Joe doesn't want to make him uncomfortable.

"Maybe," Nicky admits, aware that they've only just met, but in his opinion, that shouldn't change too much. "And maybe I've decided that you're worth elevating beyond what I've seen from any other artists I've met this year."

Oh, he's not flirting, is he? Nicky smirks a little and he stretches out. "Well, if you're not flirting, then I shouldn't be taking up all this time of yours when you could be working. I would hate for this to be unproductive, especially when you should be preparing for Saturday. My expectations are soaring now, you know."

"Now, I wish you'd said that in your original review," Joe says, a little wry. "Then again, I wouldn't have written you an angry ten-page email if you had, and we might not have met."

Nicky playing into it makes Joe laugh, warm and amused. He's also noting the fact that Nicky isn't actually telling him to stop flirting, though. "You're quite right. I'm sure it'll take me many preparatory sketches to get your profile right."

He finishes his coffee too, his voice getting a little softer. "But yes. I'll see you on Saturday, right? I'll text you the address." He pauses, and then adds, because it's true, "I'm looking forward to it."

"I did say that."

Maybe not bluntly. Then again, he didn't write that kind of review for anyone else this year. It had been twice as long as anything else he'd written and much more passionate, plus he'd given actual compliments scattered through the criticism. Most artists don't get that from him. They only get the scathing review and little else.

"I am too," Nicky admits, surprised that he is. "Looking forward to it. I'm not sure what you've done to me to make that true, but...I am."

"And many other things." Joe won't deny it, there were quite a few backhanded compliments in Nicky's original review. Just a lot of criticism, too.

He grins, warmed to hear Nicky admit as much. "I haven't done anything to you," he answers, playfully. Yet, goes unspoken. "It's just the promise of good food and even better art."

Nicky wonders if that's a promise that something will happen, but he has to wait several days before he finds out just what Joe will be able to deliver to him. His heart beats quicker at the thought of it, and he has to calm himself down.

It's just a dinner. It's just a sketching. That's all.

"Text me your address and I'll get some wine and see you on Saturday. You have work to do, and so do I, if I'm going to spend most of Saturday at yours," he says, not chiding, but speaking the truth. "We should do the work now."

Something might happen. Joe would like it, but he's not going to push if Nicky seems uncomfortable. This is going very fast already, and he doesn't want to come on too strong and scare Nicky away.

"Ah, Nicky, you are the voice of reason," Joe answers, grinning. "Unwelcome, but correct nonetheless. I will see you on Saturday."

**

Saturday comes quickly enough.

In the mean time, Joe texts Nicky several times, his address first and then little things he thinks he would enjoy, and a few sketches. None of his own face, however, he feels like he's not ready for that yet.

When the doorbell rings, Joe has a nice dish simmering in his best cooker, the table is set, and he's set out the living room for the sketches. A blanket on the couch so Nicky doesn't get cold, charcoal, pencils and paint, and many thick pages of drawing paper for Joe to use.